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Soft Cell's Musical Force Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell alongside Marc Almond at Leeds during 1977

Dave Ball, a key member of the innovative 1980s synth-pop duo Soft Cell, has died at the age of 66.

Together with singer Marc Almond, the team achieved a global success with their cover of Gloria Jones' the classic track Tainted Love in the mid-80s, and their debut album Non-Stop Erotic Cabaret is regarded as a seminal work of electronic music.

He later formed the pioneering electronic act The Grid, who achieved popular acclaim with their 1994 single the hit Swamp Thing.

Ball passed away peacefully in his rest at his residence in London on Wednesday 22 October, just weeks after playing a featured performance with Soft Cell at the Rewind music event in Henley-on-Thames.

Recent Health Challenges

At that show, Ball performed in a mobility chair, as he had for the last two years, after a period of ill-health.

"I ended up damage myself quite a bit," he stated in 2023. "I fractured spinal bones in my back and fractured about five ribs and fractured my arm."

After catching pneumonia and suffering from blood poisoning, he was put in an medically-induced sleep and remained in the hospital for seven months.

However, he had been in "a great place mentally" during the warmer months, as he worked on a new album with Almond, titled Danceteria, which is set for release in the coming year.

"He was concentrated and so happy with the new album that we literally completed only a short time ago," said the vocalist in a tribute.
"It's so sad as next year was completely planned to be such an positive year for him, and I find comfort from the fact that he heard the finished record and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the forefront of the electronic music scene in the early 1980s

Heartfelt Messages

Almond described his collaborator as "an exceptionally talented creative mastermind", stating: "He was the heart and soul of Soft Cell and I'm very proud of our body of work.

"Thank you Dave for being an significant aspect of my life and for the music you gave me. I wouldn't be where I am without your influence."

Richard Norris from The Grid, also paid tribute, remembering Ball's "endless laughter" and "unwavering friendship".

"Forming a partnership with someone is different from being in a band, the bond is very tight," he continued.
"That was the case with us. We experienced so many remarkable, extraordinary, memorable experiences together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in recent years

Formative Years

Brought into the world into a single-parent household in the city of Chester in the late 50s, Ball was given up for adoption when he was a year and a half of age.

He grew up in the seaside town with adoptive parents Donald and Brenda Ball, who altered his first name from his birth name to his adopted name, together with his sibling Susan, who was similarly welcomed.

He met Almond at an art college in the late 70s, where they were both studying fine arts. Fuelled by a shared love of Northern Soul, they established Soft Cell the same year, and quickly produced an EP.

Creative Collaboration

The duo were an distinctive pairing: Ball was the quiet musician, bent over his keyboard, while Almond was a charismatic performer, all glitter and makeup; but they attained a rare creative synergy.

Ball had cultivated a interest with synthesizers after viewing the band Kraftwerk perform on a television program a popular series, and started to combine moody electronic sounds to the soaring melodies Almond was composing.

Their signature song became the United Kingdom's second most popular song of the early 80s, selling 21 million units worldwide. Alongside successful tracks by Gary Numan, Human League and electronic acts, it contributed to paved the path for the electronic music style of the 80s.

The track was also included on their first album, Non-Stop Erotic Cabaret, which spawned two additional top five hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the stand-alone single, Torch, which peaked at the second position in 1982.

Soft Cell in the studio
The pair were working on fresh songs until just before Ball's death

Professional Journey

Success had its upsides. "I loved being able to purchase my first home, having financial security and travelling, which might seem like a beauty queen," Ball not long ago told with a music magazine.

But it also presented challenges. "Sudden riches meant we could purchase substances to alleviate the boredom" of media interviews and television shows, Ball said.

"I realize that's a cliché, but it's a cliché for a valid cause, because it works for so many bands."

Amidst the hedonistic lifestyle, the pair were also drifting apart, but they succeeded to create a follow-up memorable record - the wayward, edgy and aptly-titled The Art Of Falling Apart.

They released another album, their 1984 release This Last Night In Sodom, before ending the band to focus on individual endeavors.

Almond proceeded to have a successful solo career, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed acid house with melodic sounds over a enduring partnership.

Reunions and Final Projects

Soft Cell reunited in 2001, producing the Top 40 album Cruelty Without Beauty.

Following another hiatus, they returned in 2018, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a farewell show at the O2 Arena on September 30, that year.

However, they stayed active, creating their fifth album, Happiness Not Included, during the 2020 Covid lockdown.

Ball lately characterized the band's new album as a tribute to the New York club scene they frequented while making their first two albums.

He added that his period in hospital had influenced the group's music.

"I had unusual memories when I was in and out of hospital because I was on pain medication," he explained to a publication.
"Our latest tracks are a electronic representation of the noises in my head from that time.
"Simultaneously, it's about the times we got up to in the 1980s."

The last versions were finished only days before Ball passed away. It is due for launch in the spring of 2026.

The writer

Anita Cabrera

Maya is a tech enthusiast and content curator passionate about simplifying digital information consumption.

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